But I admit, it was embarrassing. But not on fashion. We are all aware of the level of trolling, violence, and the hypocrisy online. AE: Yeah. I didn’t even know if I could do it, If I could be an actress. In terms of the role, Ralph Fiennes specifically asked me to be classy, which is hard for me (She laughs). He wants to see your soul. Time Out meets Adèle Exarchopoulos, the 19-year-old lead in a bubbling French scandale, Did you get to know Léa Seydoux before shooting the intimate lesbian sex scenes in ‘Blue Is the Warmest Colour’?‘We met twice before the shoot, but quickly. And I like Nicolas [Ghesquière] on a human level, but also, to me, he is a unique and truly innovating designer. At first he was sizing me really. It also taught me that you have to be honest with yourself and recognize your own limits—you cannot do or perform everything. AP: You are also to appear in your first theater play—how has the experience been so far? This is the best movie I’ve made.’The film has an 18 certificate in the UK. She has a very open relationship with her body. Adèle Exarchopoulos : Personally, I wanted this movie so I was not afraid. INTERVIEW - Matthias Schoenaerts, Adele Exarchopoulos on love in social media, the changing evolution of love at 'Racer and the Jailbird' Interviews - 74th Venice International Film Festival at Palazzo del Casino on September 07, 2017 in Venice, Italy. Her upcoming role in Quentin Dupieux’s Mandibules, a surrealist comedy of sorts revolving around the discovery of a giant fly. Pushing at the boundaries of psychological convention, Sibyl increasingly becomes enmeshed in the life of Margo and, as the film progresses, the two are ever more dependent on the other. Already, when you did 700 hours of rush, you do not know what the director will keep. He can do 97 takes, 100 takes, whatever. He wants you to abandon yourself, to lose yourself. Do you have the funk? This interview first appeared in the print edition of RAIN magazine in the fall of 2018. Styling by Jonathan Huguet. Despite the rapid success which followed La Vie d’Adèle Adèle Exarchopoulos seems to remain humble and professional, which is pretty unusual, especially in light of her age. We shared so much and I learned a lot from her. She did and now, I call her whenever there is something special that I need. The difficulty, and perhaps what I am trying to avoid, are any labels regarding the roles I choose to take. Adèle Exarchopoulos Addresses the ‘Blue is the Warmest Color’ Controversy and the Film’s Sex Scenes Adele’s interview in Vanity Fair Italy sept. 2013. Home » Interviews » An Interview with Adele Exarchopoulos: The Warmest Color. Photography by Patrick Welde. 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LS: All we did was work, we had no choice. Must let his body and find harmony with his partner. You know why he selected you? ‘Blood Brother’ Review: One man’s mission to make orphaned children smile, ‘The Fifth Estate’ Review: Half WikiLeaks documentary, half dramatic narrative. Had suddenly want to give him everything …. Hot Girl Meg delivers some much needed heat to the holiday season with a sexy new Savage X Fenty campaign. Ultimately, when I’m on set, it’s not my image that the director is concerned about, but rather the vision they have of my character—and that’s what matters. An interview with Adèle Exarchopoulos by Alessandro Del Vigna November 22, 2017 November 22, 2017 0 Despite the rapid success which followed La Vie d’Adèle Adèle Exarchopoulos seems to remain humble and professional, which is pretty unusual, especially in light of her age. AE: For me, it’s just a beautiful love story. LS: We spent many, many days… I don’t know if it was 10 days. I said to him, “I promise to live up to your expectations,” to honor the person whose role I play, Clara Saint, an incrediby elegant woman, who I was lucky enough to meet in real life. And most importantly, never ceasing to learn. A brief stint as a child actor on the soap opera General Hospital sparked my passion for film & TV. I think viewers have to understand this. Lisa Goodman, founder of GoodSkin clinics, walks us through the European approach to Botox. AE: It’s always difficult to make a sex scene, but in every scene there’s art. There will also be short films, experimental works, restored classics and plenty of talks, workshops and Q&As with filmmakers and actors. Also, this is the first time I've played a mother, which is all the more poignant as a new mother myself. Welcoming a child into your life changes everything so radically. I believe I grow with every part I play. LÉA SEYDOUX: Yeah, I was inspired by someone that I know… This man that I’m talking about, I was deeply, deeply in love with him. Case in point? Notify me of follow-up comments by email. WHAT WAS THE MOST DIFFICULT PART OF THE DIRECTING PROCESS? AE: You let your body talk. An imposing biopic of the nineteenth-century South African slave-turned-freakshow-act Saartjie Baartman it proved too harrowing a vision for British or American distributors. AE: To be honest, I'd like less to star as the dramatic ingénue and try something out different, like a sci-fi or horror movie. We couldn’t see the end sometimes and we were scared, but the result is here and the fact that people like it and we won the Palme d’Or [at the Cannes Film Festival] and that says something. Adèle Exarchopoulos Addresses the ‘Blue is the Warmest Color’ Controversy and the Film’s Sex Scenes Adele’s interview in Vanity Fair Italy sept. 2013. AE: I know I’m young, and while some personality traits will stay, looks won’t. A year later, I received the physical Palme d’Or at my parent’s place and they finally realized that I had won it, too – so strange! That was very difficult because you lose yourself, which is a good thing but it’s also very disturbing. What happens when French style collides with a laissez-faire Los Angeles attitude? And getting to truly know anyone is complicated enough as it is. I have to say that my family have supported me from the beginning, even if they don’t know anything about cinema and they didn’t watch any of my movies: they are my biggest motivation. AP: I can’t even begin to imagine how many times you’ve been asked about Blue Is the Warmest Color, but I have to ask—can you tell me about the aftermath, from the roles you got offered to the lessons you learnt? AE: Well, I know what you’re wondering: “Are we really slept together?”. AP: Are there notable differences between American, British, and French directors? I don’t know how he manages to write so much surrounded by seven women chitchatting away! At the time, I dealt with them with naivety, which made them both funny and touching. Tabloid controversy, explicit sex, awards glory. All Rights Reserved. And you play it is to look real. What does that mean? Which is a shame when you consider how powerful it could be for teenagers struggling with their sexuality, no?‘I agree. My family is not that into it and it wasn’t a big part of my life, I just saw the industry as this sublime and distant art form. I discovered promotional tours, film festivals—all elements that still feel new to this day. You know, It’s not always easy. Our luck is Abdel left us free. AE: There is a happy medium. But you have to remain yourself. AP: You’ve mentioned that having a family changes things in all aspects. AE: Indeed. These 11 celebrities are here to show you. I asked Camille Seydoux— who has dressed me ever since— to help me. You know what else has changed? Even if it’s shocking sometimes, like the sex scene where it’s long and boring, I know he would always choose the best take. I remember the day he called me to tell me I had got the part. Create a free website or blog at WordPress.com. Abdellatif has his own complexity, like any genius, like Stanley Kubrick or Francis Ford Coppola. But I think many Americans find it scary and fascinating and disturbing. 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What happens behind the scenes, too, in fashion really fascinates me. Léa, best known for her role in Inglourious Basterds is polished in a sleek dress and bangles up her arms. How you prepared? AE: Not really. So sorry to insist, but how does one pretend that the point? AP: What is the biggest difference and challenge in comparison with acting in a film? He takes notes as he listens to us talk among ourselves. You’re naked, me too! You have to know that for this film I had to get my driving license. AE: I am thankful because, today, I am doing the job I love. We could spend, like, one week on one scene and it was the same scene the whole day. Because it never goes so far in movies normally. JW: While Mandibules may be your venture in comedy, in Revenir, a drama directed by Jessica Palud, you return to a genre you have made a name for yourself in. Do you feel caricatured at times? ‘What we said was true but, come on, it’s art. Interview: Léa Seydoux and Adèle Exarchopoulos, the Stars of "Blue Is the Warmest Color," Talk Voyeurism and Doomed Love As regards the character, for me it was more about how she feels when she is inside the car and when she is outside, and the transition when love enters in her life – the bravery of the character, which remains the same both in racing, in its discipline, and in her relationship troubles. You immediately feel the impact of his experience as an actor—he is involved in every gesture, every gaze, and keeps adding density and complexity to each character throughout the process. Also, while I have nothing but good memories from this experience today, there was a time, afterwards, where. After appearing in Abdellatif Kechiche’s Blue is the Warmest Color, the overnight star was faced with the unforeseen challenge of living up to an already cult status. For instance, I enjoyed the dressing-up part a lot, trying on all these race outfits. Review: The Life of Adèle is a masterpiece, http://www.premiere.fr/Cinema/News-Cinema/Lea-Seydoux-et-Adele-Exarchopoulos-je-sais-ce-que-tu-te-demandes-est-ce-qu-on-a-vraiment-couche-ensemble-3759864. WOULD YOU EVER WORK WITH A DIRECTOR [LIKE ABDELLATIF] AGAIN IN THE FUTURE? What do you find so compelling about it? ‘It was hard sometimes, the way he insisted. JW: Is there a character, a role that you haven’t yet played, but would like to? Adele Exarchopoulos said she and her co-star in the Blue Is The Warmest Colour performed explicit sex scenes over and over again because the director wanted 'everything to be authentic and dangerous'. And it is dishonest both to you and to others. “Questions about passion, Cannes Roundtable: Lea Seydoux on Blue is the Warmest Colour, Léa Seydoux and Adele Exarchopoulos tell how they survived us to “La Vie Adele”, Léa Seydoux on the Agony of Filming Blue Is the Warmest Color, ‘Blue is the Warmest Color’ Is Truly a Feast for All the Senses, Blue is the Warmest Color … and a Fierce, Fiery Movie, Blue Is The Warmest Color: Come For The Sex, Stay For The Sadness, Blue is the Warmest Colour: More than the sum of its parts, Ask Mick LaSalle: Give male directors, critics more credit, Telluride Review: Blue is the Warmest Color, Léa Seydoux: Lesbian scenes made me question my sexuality …, Music Video of The Week: John Grant “Glacier”, Buried in the Sand: The Secret Politics of Blue Is the Warmest Color. ‘Blue is the Warmest Colour’ is a minutely detailed, searingly erotic three-hour study of first lesbian love. JW: Fashion holds a deep interest for you. I’m happy to do it, but let’s just say my time is more limited and more focused on my son and it shouldn’t be any other way. This website uses cookies to improve your experience. Léa, best known for her role in Inglourious Basterds is polished in a sleek dress and bangles up her arms. I’m very lucky to be making my theater debut under the direction of Simon Stone, alongside seven groundbreaking actresses—I am the only first-timer of the cast. And yes, I am surprised to see myself described as super-free, loud- mouthed, constantly rebellious, because I am a profoundly shy person. ( Log Out / But then, there, in what I have seen is immense. JW: You are very selective in the roles you play. It seeks to keep the instinct of the game asked me to learn to paint, play sports, it was not me quite muscular … But he wants to put us in first “states” AE: It has not prepared us, but he put us at ease. From a release date to cast changes, here's what we know so far about HBO's 'Euphoria' Season 2. I love the magic of children and non-professionals. Their unorthodox approaches to typical “Hollywood” conventions make for fantastic on-screen performances in Blue is the Warmest Color, as well as making for interesting conversation. “Questions about passion What you did not know it would be at this point … I had a lot of freedom, and I improvised a lot. Its writer-director, the French-Tunisian Abdellatif Kechiche, had a setback with his last film, 2010’s ‘Black Venus’. All the small details and technical aspects of this particular field I didn’t know before were exciting to me. I want to protect what is most precious to me, and never suggest that strangers’ gazes on Instagram matter in any way. Simon has a unique way of working—he writes when the whole cast is together, in a theatre. Equally at ease in the recording studio as she is inside the Guggenheim Museum, the Houston-born singer-songwriter-choreographer (and much more) is an artist at home in a world of her own making. Learn more about our use of cookies: cookie policy, Exclusive interviews and the latest on fashion, music, culture and art, An Interview with Adele Exarchopoulos: The Warmest Color, Interview: Marguerite Humeau – Breathing New Life into Old Monsters. In this film you play a successful racing driver in a context almost exclusively dominated by men and, at the same time, a woman capable of self-sacrifice for an impossible love. The comic has these scenes, and I loved the comic, and I trusted Abdellatif.’But both you and Seydoux have said that you hated making the film. LS: The atmosphere, of course, was very difficult. And to be honest, I don’t see the point of it. We are all getting to know each other, and we discuss profound and light things. I learnt to say no, and that it didn’t mean I was scared of a challenge, but that I didn’t want to lie to myself and accept a part for the wrong reasons. For Exarchopoulos, the role of Margo continues the actress's streak of performances, noted not only for their vitality, but also their breadth. Input your search keywords and press Enter. Your email address will not be published. Then our first scene was a sex scene. Our interview with Léa Seydoux and Adèle Exarchopoulos is an intimate affair; only a handful of journalists share a table with the two beautiful actresses (and their English translator). I didn’t know anything about dance and I had never taken classes, not even in childhood. But all of this is irrelevant in the end. If you appear in three films that have strong social themes, you become associated with that as “your” genre, so to speak. The fact that I started in such an unusual way, with one of the greatest directors alive, starring in one of the most incredible love stories told, always made me think how can I ever live up to such standards? Adèle Exarchopoulos is 19, and recently made Blue Is The Warmest Colour, directed by French-Tunisian auteur Abdellatif Kechiche. He watched me eat, we took drinks together and he spoke to me while watching me … He was looking for what kind of girl I was and what I could bring to the role. For example, my first American experience, with Sean Penn, scared me a lot in the beginning, but then I did the film and I’m happy about it. It’s funny, since this morning, everyone asks and nobody dares to make. My mum is a nurse and has always put comfort first, so I followed her lesson and got really into sneakers [LAUGHS.]. More seriously, when I was given access to fashion, and began getting invited to runway shows or offered pieces to wear, what I most enjoyed was discovering the ateliers. An interview with Adèle Exarchopoulos by Alessandro Del Vigna November 22, 2017 November 22, 2017 0 Despite the rapid success which followed La Vie d’Adèle Adèle Exarchopoulos seems to remain humble and professional, which is pretty unusual, especially in light of her age. It's never a dull moment at the French film festival. From shoulder length shag to daring pixies, these 11 celebrity hairdos are giving us major short hair inspiration. I would never expose my family on social media. You seem to discover the film … The film is a … And today, I’ve learnt that, yes, maybe I’ll disappoint some, and it will be a lesson for the future. Hair: Perrine Rougemont at Caren Makeup: Helene Vasnier at Artlist Paris Casting: Ibrahim Tarouhit Fashion assistant: Elisa Schmitt Production: Allan Vetier Production assistant: Justine Labrot. My parents then texted me from home after the prizes but, like me, they didn’t understand that each of us had won a Palme d’Or, so they simply wrote me: “Oh, that’s cool, what time are you coming home?”. Look out for your first newsletter in your inbox soon! There is a power thing, abandonment … frankly it’s hot! Adele Exarchopoulos & Lea Seydoux Talk BLUE IS THE WARMEST COLOR Adèle Exarchopoulos Addresses the ‘Blue is the Warmest Color’ Controversy and the Film’s Sex Scenes Adele’s interview in Vanity Fair Italy sept. 2013. I’ll have several films in the works, from Mandibules to Jessica Palud’s Revenir. Our interview with Léa Seydoux and Adèle Exarchopoulos is an intimate affair; only a handful of journalists share a table with the two beautiful actresses (and their English translator). I wanted this project. JW: Indeed, it would seem you relish the roles that require you to really inhabit them. You play. I’ve been asked to star in comedy roles, but have, in the past had reservations, but I think that has since changed over time. I was uncomfortable, embarrassed, but I was not afraid. But we learned a lot. I’m not judging people who do, but to me at least, this is incredibly intimate. How can I not disappoint everyone further down the line? The simplicity of it is what made the moment exceptional. AP: Things must have changed very quickly…. In France, as an actor, you can become labeled very quickly based on the roles you play. To be sure, Exarchopoulos continues to play parts that entrance audiences. Alice Pfeiffer: Can you tell me about your experience working with Ralph Fiennes? Adele, Leah, everyone recognizes that your sex scenes are really hefty. Has this also affected your sense of style? Change ), You are commenting using your Facebook account. It’s difficult, but I think it was a very important part of the film. JW: Has becoming a mother changed how you decide which roles to take on? The latter is something I never do with other actresses. My biggest inspiration are Gena Rowlands, Susan Sarandon, Beatrice Dalle and Kate Winslet. The Tiffany & Co. chief artistic officer is further exploring men's products through two releases happening today. All rights reserved. It is precisely when you try to match other people’s vision of you that you lose yourself. The director is himself a racer, so he was able to transmit me all the passion he has for cars. The novelty of the experience gives it a certain gracefulness, but also an enormous amount of fear and pressure. JW: Mandibules is a departure from your earlier films you have starred in. The last time Adèle Exarchopoulos attended the Cannes Film Festival, she made history by becoming the youngest person awarded the Palme d’Or for her portrayal as 15-year-old Adèle in director Abdellatif Kechiche’s critically acclaimed Blue is the Warmest Color, an earnest and bold exploration of sexual identity and self-exploration. I like his audacity. But I honestly hope people will judge me for my performance and not my appearance. What is easier: to play a gay or straight scene? AE: Absolutely. The production even paid for it, without deducting from my fee. A Palme d’Or at the 2013 Cannes Film Festival when she was just 19, a scandalous sex scene, a media buzz with little to no precedent nothing about Adéle Exarchopoulos’s rise to fame began as it usually does for aspiring actresses. AE: Essentially, the challenge is always the same—it is about taming your fears, giving the best of yourself and doing justice to your part. Your email address will not be published. We went for coffee, and sometimes we talked, sometimes we didn’t. It’s rare [in France] to make a deep transformation. It was awful, as you can imagine. AP: What else do you feel you’ve learnt from this role? ( Log Out / [Director Abdellatif Kechiche] shoots with three cameras, sometimes four, so we were surrounded by cameras. We forget that it’s two women; that doesn’t matter. Once I had established my career, I was given access to designers in a way I never had before and, in so doing, I began to get a real sense of the art and skill that goes into making clothes. Mehmet Akif Büyükatalay won the 20th Lecce European Film Festival, Lecce European Film Festival 20th Edition, Lodi: Ethics vs the Festival of Ethical photography, Positive Magazine - Published by Seeds Project UG Berlin.
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