Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. For the Foxborough High School Jazz Program, which has enriched the lives of so many students, this remarkable compendium of jazz recordings should similarly enrich the program itself. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Tape 1A. Tape 1. Signorelli, piano; and Chauncey Morehouse, drums. Each resulting WAV file was split at the division between Side A and Side B of the cassette,... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Vic Dickenson, from the era of 1939-1956. Tape 1. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. David had pleasant and vivid memories of his early life in Attleboro. Next he was transferred to the Boston Life Magazine office and became New England Manager until Life ceased publication in 1967. David had pleasant and vivid memories of his early life in Attleboro. Each resulting WAV file was split at the division between Side A and Side B of the... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Chet Baker, from the era of 1959-1964. Tape 1. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. David W. Niven, 97, died Tuesday, March 6, 2018 at Brookdale at Plymouth Beach. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Thelonious Monk, from the era of 1956-1957. Plymouth, MA 02360, https://www.tributes.com/obituary/show/David-W.-Niven-105903427#services, https://www.tributes.com/obituary/get_ics/105903427?service=3605500&tr=, https://www.tributes.com/obituary/get_ics/105903427?service=3605501&tr=, Online multimedia memorial with unlimited pictures, videos, music and more, Elegant, immersive format honors your loved one, Customizable themes, backgrounds and music give it that personal touch, Interactive Guest Book lets everyone share their memories and provide support, Enjoy all the features of the Eternal Tribute, Preserve the memory and sacrifices of a loved one’s national service, Choose from five elegant military branch themes, Unlimited photos and military record information. Condition of the Tapes: Many, if not most, of these tapes are in terrific shape, but others are in mediocre or even poor condition. His service included 18 months in the South Pacific during the Solomon Islands campaign. One year prior to Louis' and Bix's first recording, Duke and his six piece band “The Washingtonians” with Bubber Miley, cornet; Charlie Irvis, trombone; Otto Hardwicke, sax; Fred Guy, banjo; Sonny Greer, drums; and Duke, piano, had their initial commercial recording date in November 1924. I became the proud owner of every recording up to the start of WWII and some 75% of his recordings until his death in 1974, some 180 hours of the recorded Duke Ellington. David W. Niven, 97, died Tuesday, March 6, 2018 at Brookdale at Plymouth Beach. Born May 19, 1920 in Rochester, NY, he moved to Attleboro, MA, at age 3 with his parents, Henry and Gladys Niven.He attended Attleboro schools through high school, Class of 1938. Tape 7. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Tape 8. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. For the Foxborough High School Jazz Program, which has enriched the lives of so many students, this remarkable compendium of jazz recordings should similarly enrich the program itself. It has been Mr. Niven's life's work. David is survived by three children from his marriage. David W. Niven West Hollywood, CA Locations Include: West Hollywood, CA; We could uncover more information on David at any time - we update our databases every 24 hours! Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Born May 19, 1920 in Rochester, NY, he moved to Attleboro, MA, at age 3 with his parents, Henry and Gladys Niven. Each card lists artist, tape number, years, and tunes. Casino Royale is a 1967 British-American spy parody film originally produced by Columbia Pictures featuring an ensemble cast.It is loosely based on Ian Fleming's first James Bond novel.The film stars David Niven as the "original" Bond, Sir James Bond 007.Forced out of retirement to investigate the deaths and disappearances of international spies, he soon battles the mysterious Dr. Noah and SMERSH. Tape 1. During his senior year, he enlisted in the U.S. Navy Air Corps the day after Pearl Harbor. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each resulting WAV file was split at the division between Side A and Side B of the... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Billie Holiday, from the era of 1937-1938. David Niven était connu pour son flegme et son attitude élégante en toute circonstance. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. He attended Attleboro schools through high school, Class of 1938. Each resulting WAV file was split at the division between Side A and Side B of the cassette,... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bessie Smith, from the era of 1923. Each resulting WAV file was split at the division between Side A and Side B of the cassette,... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Chet Baker, from the era of 1959. This is an extraordinary collection. Andrew L. Niven was born in 1947 and lives in Guam with his wife and one son. David W Niven, 77. Each resulting WAV file was split at the division between Side A and Side B of the cassette,... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Vic Dickenson, from the era of 1970. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. : Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Wild Bill Davison, from the era of 1943-1945. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Tape 2. This is all made even more remarkable by the fact that, had Mr. Niven not had the foresight to contact Steve Massey in 2010, this entire collection may have disappeared. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Coleman Hawkins, from the era of 1937-1939. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. My collection amounted to over 10,000 hours of tapes. The main reason for doing this rather major project was to put my collection into some kind of compendium form that would attract my children to I have rigorously and regularly cleaned, maintained, and tested (with known excellent-condition cassettes) the heads of the cassette deck used for this project. Each resulting WAV file was split at the division between Side... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Vic Dickenson, from the era of 1956-1958. After his return, they lived in Corpus Christie, TX, where David served as pilot instructor until the end of the war. Each resulting WAV file was split at the division between Side A and Side B of the... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Frank Sinatra, from the era of 1979. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Thank you, David—your devotion to jazz will enrich the musical education of hundreds of students! Tape 75. From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Benny Goodman, from the era of 1930-1931. Tape 3. Tape 1. Tape 3. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Jean Niven Lenk was born in 1954 and lives in Plymouth with her husband and is the mother of a daughter and a son. How many collections of jazz like this get junked after estate sales every year? Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of 1965 Europe1 Paris Concert. the music that had been of such significance in my life. Other legends, such as Bennie Moten and many, many others, were in his collection did not make the “cut” for these tapes. Tape 3. Tape 3. Tape 3. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. For example “1 Cottontail” and “1: RCA Victor LP In A Mellotone” indicates that the recording of “Cottontail” is from RCA Victor LP “In a Mellotone.”. Préférences cookies | Tel. He attended Dartmouth College and was graduated with the Class of 1942. Each resulting WAV file was split at the division between Side A and Side B of the cassette,... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bill Evans, from the era of 1961-1963. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. This is Me - Control Profile. Create an online memorial to tell that story for generations to come, creating a permanent place for family and friends to honor the memory of your loved one. He played drums with Ray Conniff's band as a schoolboy, as well as Dartmouth's Barbary Coast Orchestra while in college and various other bands in Boston and on Cape Cod thereafter. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of The Great Late Duke Ellington 1963-1974. Each resulting WAV file was split at the division between Side A and Side B of the cassette,... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Louis Armstrong, from the era of 1928-1929. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Al Grey, from the era of 1976-1991. He played drums with Ray Conniff's band as a schoolboy, as well as Dartmouth's Barbary Coast Orchestra while in college and various other bands in Boston and on Cape Cod thereafter. Each resulting WAV file was split at the division between Side A and Side B of the... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Vic Dickenson, from the era of 1970-1982. Each resulting WAV file... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Stan Getz, from the era of 1945-1950. Tape 10. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Thelonious Monk, from the era of 1957-1962. Another early interest was golf. All defects heard here are on the tapes themselves rather than the deck used to play the tapes back. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. On the reverse was “Cornet Chop Suey.”. Love to you all, Tracy, Posted by 150 Court St. All defects heard here are on the tapes themselves rather than the deck used to play the tapes back. This brings us to the collection we’re spotlighting today, The David W. Niven Collection Early Jazz Legends, 1921-1991. This was the first of four holes-in-one made as a member of the Dedham Country and Polo Club, Hyannisport Country Club, and New Seabury Country Club. Cartmell-Davis Funeral Home Each resulting WAV file was split at the division between Side A and Side B of the cassette,... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Billie Holiday, from the era of 1933-1936. He became interested in music, collecting recordings from age 12 which he archived and are now available on the internet under David W. Niven Collection of Early Jazz Legends. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Photos | Summary | Follow. Each resulting WAV file was split at the division between Side A and Side B of the... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Charlie Christian, from the era of 1939-1941. Each resulting WAV file was split at the division between Side A and Side B of... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Jelly Roll Morton, from the era of 1923-1926. Lived In West Hollywood CA. Tape 4. Each resulting WAV file was split at the division between Side A and... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of The Elegant Mister Ellington Oct. 4 1959 Berlin. David W.Niven, 97, died Tuesday, March 6, 2018 at Brookdale at Plymouth Beach. Tape 3. Tape 7. Each resulting WAV file was split at the division between Side A and Side B of the cassette,... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of Duke Ellington At The Cotton Club 1938. Tape 1. From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of Duke Ellington And His Famous Orchestra In Concert At The Pleyel Paris 1958. Tape 1. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Tape 1. His son, David C. Niven, was born during the war in 1943 and now lives in Roanoke, VA, the father of two sons and four daughters. An Early Jazz Recording Collection by David W. Niven My 20-year-old cousin introduced me to jazz when I was 10. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. David's business interests were in advertising. Tape 11. I had always hoped that maybe at least one of my kids would show an interest in my collection, so I began making tapes that could include a chronological compilation of my collection, along with commentary: date and place of recording, personnel, soloists, etc. My hip cousin then advised me to get some recordings by another cornetist, Bix Beiderbecke, who started recording for OK the same year (1925). Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. This is all made even more remarkable by the fact that, In addition to his nine grandchildren, he leaves five great grandchildren. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in... From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Stan Getz, from the era of 1962-1963.
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