We always had lots to eat, lots of fresh good milk, cream, cheese, butter, everything. In 1939, she began working with Hans Hofmann, both in New York and at his summer school in Provincetown, MA. In 1945, she had her first solo show at the Willard Gallery, and subsequently, art dealer Karl Nierendorf offered to show her work and provide her a subsidy to allow her to paint full time. Also, while her work can be found in several museum collections, mu… She had more than 30 solo exhibitions and countless group showings and is represented in numerous museum and private collections. Here she met artists like Piet Mondrian, Josef Albers, Irene Rice Pereia, and Ad Reinhardt. All Rights Reserved |. Fine’s artistic training began in her teens, when she studied illustration and graphic design; she also studied with Kimon Nicolaides, Hans Hofmann, Robert Blackburn, and Pruett Carter. Limited-Edition Prints by Leading Artists, Accordment Series #4 (Shimmering Faintly), 1977, The Rising Market for Women Abstract Expressionists, How Artist-Run Galleries Shaped New York’s Downtown Art Scene, 11 Female Abstract Expressionists Who Are Not Helen Frankenthaler. The show traveled and a major book has been published by Yale University Press. Despite her successes, as a female painter in New York, Fine faced many obstacles and felt alienated.
Using Hofmann's dissected Cubism, Fine's paintings became more abstract and geometric. This later work returned to the grid, evoking the works of Agnes Martin, an artist Fine greatly admired, and re-embraced her earlier lessons gleaned from Mondrian.
Perle Fine was an Abstract Expressionist who produced works in multiple modes of abstraction during the 50 years of her prolific career. In her own time, she would often go to the Metropolitan Museum of Art to copy her favorite painters: Paul Cézanne, Paul Gauguin, and Pierre-Auguste Renoir. I never knew how poor we were." Fine suffered from Alzheimer's disease during the last few years of her life and died in 1988 in East Hampton, New York. Befriending these painters and gaining their respect led Willem de Kooning to sponsor her membership at The Club, a loft where the Abstract Expressionists hung out, listened to various invited guests, and vigorously debated each other on panel discussions. In 1954, having become disillusioned with the art world, she moved to Springs, a small hamlet near East Hampton on the south fork of Long Island and home to artists such as Lee Krasner and Jackson Pollock. ©2020 The Art Story Foundation. Fine's enthusiasm for teaching and her influence on her students can be seen through artists such as Pat Lipsky, a geometric abstract painter who attended Cornell University and sites Abstract Expressionism as a significant inspiration. Fine broke with Hofmann's theories and sought to find her own, more calm and contemplative mode of expression. When Hans Hofmann moved his art school in 1938 just down the street from Fine's apartment, Fine took the opportunity to enroll and spent her time exploring non-objective painting. [Internet]. After 1970 she focused her efforts on a series of spare, elegant geometric works called Accordments.Fine remained active in the arts throughout her life, teaching at Cornell University and Hofstra University. In the early 1940's, Fine's work began to gain recognition and was promoted by Hilla Rebay at the Museum of Non-Objective Painting (later the Solomon R. Guggenheim Museum) as a young upcoming talent; she received a Guggenheim Foundation Grant and exhibited her work at Peggy Guggenheim's Art of This Century Gallery. She was one of the first women to be admitted to the Artist's Club and, considering the social culture of this era, this was no small feat. Since the start of the 21st century, however, Fine's work has become more accessible. Perle Fine may be one of the best know New York Abstract Expressionists you don't know much about. Her father was a dairy farmer, and while not in school, she helped out doing chores around the farm and house.
Though her brushwork became looser and heavier with time, Fine was always recognized for her ability to create visual rhythms using geometric forms, colors, and lines. One of the first women to join The Club, she was a vital part of the New York art scene in the early 1950's, but over the decades she fell into obscurity.
mylar, gouache, graphite, chalk and collage on paper. During her time there, she lamented the lack of a vibrant artistic community, and in 1928, when she was in her twenties, she decided to move to New York City. Perle Fine was an American painter known for her expressive abstract works. Please email tom@thomasmccormick.com to schedule a visit. Clearly a determined individual, Perle Fine became a major figure of the post-war era. When she graduated from high school, she was set on having a career as an artist. It was at this time when Fine and Berezov joined the American Abstract Artists (AAA), a group founded to promote abstract art in the United States through exhibitions, publications, and discussions. Never settling on a single style, unlike many of her male peers, may have hampered Fine's notoriety, but also chauvinistic gallery owners often refused to show female painters at this time. Fine's career as a practicing artist spanned over 50 years, and she exhibited her work regularly from 1943 onwards. In the 1970s, Fine embarked on her final body of work, the Accordment Series, which she would continue until the mid-1980s. Content compiled and written by Marley Treloar, Edited and revised, with Summary and Accomplishments added by Valerie Hellstein. In the new, more rural environment she continued to develop her practice, experimenting more liberally with color and form. Fine's interest in art started at an early age, making posters and winning small prizes through her time in grammar school. None of her other siblings were artists, but her sister was a pianist and encouraged her creativity. By 1949 she already had an enviable exhibition record, which included solo exhibitions at Willard and Betty Parsons in New York and at San Francisco's de Young Museum.Fine was a long time member of the important American Abstract Artists group (AAA). Reflecting on her wide-ranging education, Fine recalled "I felt that one should have a grounding in academic painting; at least one had to know what it was in order to overcome it. Perle Fine may be one of the best know New York Abstract Expressionists you don't know much about. In 2009, Hofstra University held a retrospective, and in 2016, she was a crucial part of the Denver Art Museum's Women of Abstract Expressionism exhibition that explored the contributions female artists made to Abstract Expressionism and included works by her peers, Judith Godwin, Joan Mitchell, Lee Krasner, Elaine de Kooning, Helen Frankenthaler, Grace Hartigan, Jay DeFeo, Deborah Remington, and Sonia Gechtoff. In 1960, Fine was a visiting lecturer at Cornell University, and in 1961 she became a professor at nearby Hofstra University, where she taught until 1973. Our current show, Janice Biala: Paintings 1952 - 1962, is open by appointment! One of the first women to join The Club, she was a vital part of the New York art scene in the early 1950's, but over the decades she fell into obscurity. She began her artistic studies at the Boston Practical School of Art, where she learned illustration and graphic design. Fine was one of the first women to be admitted to The Club, leading the way for other women artists working in abstraction. In an effort to hone her skills, Fine spent hours visiting the Metropolitan Museum of Art, copying works by artist she admired like Renoir, Cézanne and Gauguin. Fine joined the Betty Parsons Gallery in 1948, which represented many of the burgeoning Abstract Expressionists, including Jackson Pollock, Mark Rothko, and Clyfford Still. Inspired by music, dance, and the natural world, Fine investigated the possibilities of nonobjective art. Feeling a need to move beyond illustration, she transferred to the Arts Students League and studied under Kimon Nicolaides, who himself had studied with John Sloan. Fine obliged, making a copy of the original and one that interpreted what Mondrian's final intentions for the painting might have been.
Perle Fine was an Abstract Expressionist who produced works in multiple modes of abstraction during the 50 years of her prolific career. It was during this time when she met fellow student Maurice Berezov, who became a photographer and who she married in 1930. A traveling museum retrospective was organized in 2009 by Hofstra University where Fine had taught. Fine often sought Hofmann's advice if she was having trouble with a composition.
"Perle Fine Artist Overview and Analysis". Her work was also included in the infamous Ninth Street Exhibition in 1951 that brought more public attention to the group of downtown artists.
When I paint something I am very much aware of the future. Absorbing his academic approach and insistence on spontaneity, Fine commented that during this time the most important thing she learnt was "what three-dimensional painting really was...actually trying to do it in his method, which was using brown wrapping paper and painting with black and white oil on that to the point where the figure almost looked like sculpture coming out of the wall.". “Color is always a motivation. The collector Emily Tremaine recognized that Fine had absorbed Mondrian's teaching and asked her to make two interpretations of Mondrian's final, unfinished painting, Victory Boogie Woogie (Mondrian died in 1944). For a thing to be abstract meant to me that you had to feel strongly enough about it to turn your back on realism and do everything necessary in an abstract way to put across a feeling which meant being totally abstract or non-objective."
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