At Eternity’s Gate will screen at Lincoln Center's Alice Tully Hall on Friday, October 12. Barbara is even more mysterious to me now after seeing your film. [We have coffee and Mathieu orders a blueberry muffin]. Completely. Like many people of my generation, I almost did not dare to approach ballet and opera, since these art forms seemed too noble. How do you do that?" Mathieu Amalric will soon be seen as Dr. Paul Gachet in Julian Schnabel’s At Eternity’s Gate (Closing Night film of the 56th New York Film Festival), co-written with Jean-Claude Carrière and Louise Kugelberg, shot by Benoît Delhomme, and starring Willem Dafoe as Vincent van Gogh, with Oscar Isaac as Paul Gauguin, Rupert Friend as Theo, Emmanuelle Seigner, Mads Mikkelsen, and Niels Arestrup. Malia Scharf and Max Basch on Kenny Scharf: When Worlds Collide, Huppert lightens up her image Mathieu Amalric Director. It became listening to her music and filming Jeanne and her work with the piano. MA: Absolutely. Barbara Hannigan soprano and conductor LUDWIG Orchestra. In a very charming way. Films to catch on TV and streaming services this week, Expanding horizons We're bringing you news, reviews and interviews from the London Korean Film Festival and DOC NYC and Sheffield DocFest. John McEnroe: In the Realm Of Perfection opens at Film Forum in New York on August 23. Nabokov describes this in Speak, Memory. “I love the food in Paris. So there was Jeanne, there was the music, and yes, mystery. Which brings us to the question of accuracy. Label: Alpha Classics CD+DVD: Alpha 293 ⓟ Barbara Hannigan, Ludwig, … Mathieu Amalric on directing Barbara: "There would be immediately a presence. When we were shooting something, we would be only filming sensation so to hide always the dispositive. How did that opening sequence come about? On Barbara, this French legend? That was for me impossible for the lovers of Barbara: Make note, I'm sorry I'm showing you a blue but I know it wasn't blue. It’s extremely erotic. BERIO Sequenza III for voice (1965) BERG Lulu Suite (1934) GERSHWIN Girl Crazy Suite arranged by Bill Elliott and Barbara Hannigan; Orchestrated by Bill Elliott. Where in the body is the source of this unsettling anomaly of singing, where does it find its softness and power ? Spirit is arriving. And that was a commission as well. Each time there would be a note on the piano, there would be another letter. Maybe just start from the novice’s pure physical fascination : where do these inhuman voices come from ? It was with Jeanne already. ", Cleanin' Up The Town: Remembering Ghostbusters, French Film Festival hit by cinema closures, Scottish Queer International Film Festival. The seed was always the sound that comes from a song by Barbara, that is Chanson Pour Une Absente. It completely moved me. I would breathe. Like many people of my generation, I almost did not dare to approach ballet and opera, since these art forms seemed too noble. Mathieu is also the narrator for Julien Faraut’s John McEnroe: In The Realm Of Perfection and had his films on John Zorn and Barbara Hannigan shown in the Spotlight on Documentary program of the 55th New York Film Festival.. Just to be an historian before and then leave it. > This year the film won five César Awards: Best Actress for Jeanne Balibar, Best Original Screenplay Mathieu Amalric and Philippe Di Folco, Best Cinematography Christophe Beaucarne, Best Editing François Gédigier, and Best Sound Olivier Mauvezin, Nicolas Moreau and Stéphane Thiébaut. Anne-Katrin Titze: What I like so much about your film is that whereas so many movies try to solve the mystery, unravel the mystery, you are doing the opposite. More than 200 screenings to be postponed due to fresh English lockdown. Mathieu is also the narrator for Julien Faraut’s John McEnroe: In The Realm Of Perfection and had his films on John Zorn and Barbara Hannigan shown in the Spotlight on Documentary program of the 55th New York Film Festival. C'EST PRESQUE AU BOUT DU MONDE, «When the Paris Opera invited me to shoot a film for the “3e Scène”, I was caught off guard. And he said "Why don't you try?" > ", Mathieu Amalric starred in and directed The Blue Room (La Chambre Bleue), Mathieu Amalric on Jeanne Balibar in Barbara: "It was more a reaction as a spectator, in fact. Mama Weed director Jean-Paul Salomé talks adaptations, star collaboration and Covid, Stay-At-Home Seven: November 2 to 8 Melina León on Song Without A Name and opening doors for Peruvian women, Johnny Kevorkian dies I was very very very afraid each time of the film in the film dispositive. I love the little shops. The vibration, the air, the sound… Could it be that between the cry of the baby, the spell of the lullaby, the terror of Hitchcock’s heroine under the shower, the respiration at work or the groans of pleasure, Barbara Hannigan whispers the way to me?...», THERE IS JOY IN THIS STRUGGLE Jean-Gabriel Périot, Thierry Escaich, © 2020 – Opéra national de Paris merchandise in our latest competition. ©2006-2020 Eye For Film. The director teamed up once again with cinematographer Christophe Beaucarne and editor François Gédigier, both of whom he worked with on The Blue Room (La Chambre Bleue), to enter the nebulous terrain of an audio-visual memoir that blurs the record to reveal the truth. I didn't just want Brigitte watching - they should be mixed in the same space. All rights reserved. MA: It's visions. And they only found a blue Mercedes. AKT: I have synesthesia and my alphabet has colours. Her partner, the actor and film-maker Mathieu Amalric, is here. Ah, yes, cinema is arriving. Mathieu is the French voice for Mr Fox], Barbara has midnight blue walls and there is a controversy about her Mercedes being blue. It wasn't In Bed With Barbara. Contact AKT: That makes sense, strangely enough. The whole work in fact really was to be able just to be in sensations. And Oh la la la! It’s just a Soprano who warms up her voice before the rehearsals. Sheets of reality and calendar years merge into a forceful Once Upon a Time that unites the enchanted, be it in Paris or New York or Göttingen, in Mathieu Amalric's ravishing Barbara. What you did with the letters and colours and sounds made it impossible for me to read the end credits - which was amazing in itself as an experience. That's why it's always through doors that you see this blue. MA: Yes, I couldn't imagine. You know, it's Pierre Léon that was supposed to do this film. It was this duration. Win Two By Two Overboard! CBS Films will release At Eternity’s Gate in November 2018. It was creating a dispositive that would not be a prison for her because that's the problem of biopics. 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Mathieu Amalric : Jolie déclaration à sa compagne Barbara Hannigan. There would be immediately a presence. You always leave at the right time. With : Barbara Hannigan, Simon Rattle Documentary. DVD Music is Music, a film directed by Mathieu Amalric (20 minutes, 2017) Crazy Girl Crazy. There's no meaning for the blue Mercedes. It's important to leave it. You wanted more mystery? And then your name, Mathieu, with a big A, comes up and it's funny because it's a bit of Look at me!, like the character you play in the film. I wanted to hear more of the songs, too. And he asked me because they were tired and wouldn't believe in it anymore. Something like that. The opening credits are already setting the tone in Barbara. It was more a reaction as a spectator, in fact. He tried to do this film over eight years and he didn't manage. Then 60,50 € per month.New customers onlyCancel anytime during your trial, Try full digital access and see why over 1 million readers subscribe to the FT, FT print edition delivered Monday - Saturday along with ePaper access, Premium FT.com access for multiple users, with integrations & admin tools, Purchase a Trial subscription for 1,00 € for 4 weeks, You will be billed 60,50 € per month after the trial ends, Purchase a Digital subscription for 6,50 € per week, You will be billed 37,50 € per month after the trial ends, Purchase a Print subscription for 14,98 € per week, You will be billed 64,92 € per month after the trial ends, Purchase a Team or Enterprise subscription for per week, You will be billed per month after the trial ends. So really it was just "Oh god, a biopic? AKT: That little Orson Welles moment you have - The Lady From Shanghai? MA: Yes, and maybe going through Brigitte it was possible and then the room is red and she is in bed with a man. The 2018 New York Film Festival runs from September 28 through October 14. What are Joe Biden and Donald Trump’s remaining paths to victory? You know why? Home It became listening to her music and filming Jeanne and her work with the piano. That she wouldn't be in a performance but in something bigger than that, more wild than that. Your last film's title was The Blue Room, you just had a blueberry muffin [blueberries feature prominently in Wes Anderson's Fantastic Mr. Fox. Barbara had its world premiere at the 2017 Cannes Film Festival where it won the Un Certain Regard Poetry of Cinema Award. It was the spirit we were waiting for. Mathieu Amalric: Yes, maybe I wasn't thinking about more mystery. Now me! That's how we started. Genre community pays respects, French Film Festival hit by cinema closures Did you set out to do that? MA: She had blue in her room. That's all; that was my job. All At the Regency Hotel on Park Avenue over breakfast, Mathieu Amalric discussed with me Pierre Léon's initial involvement with Barbara, Jeanne Balibar's performance, a clip from Jacques Brel's film Franz, an Orson Welles' The Lady From Shanghai moment, and filming sensations. MA: It was the sound. That she had the space for that. AKT: And the intermediary character of Brigitte arrived late in the process? Hannigan's life as an artist has been the subject of two documentaries: Accentus Music's documentary I'm a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television's Canadees Podiumdier (NTR 2014), as well as Mathieu Amalric's short … As close to the songs, as her music goes directly to a vibration, an intimate vibration. I couldn't film in her bedroom. The singer is called Barbara Hannigan. It was her own space. You wake up and it's gone but it's there. Nature boy Because I was angry against an assistant because everybody knew we were looking for a grey Mercedes or a brown Mercedes that she had. It was this game on notes and letters. It was more like spiritism. Hannigan's life as an artist has been the subject of two documentaries: Accentus Music's documentary I'm a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television's Canadees Podiumdier (NTR 2014), as well as Mathieu Amalric's short … We've recently been covering Welsh horror festival Abertoir, New York's Newfest, the October edition of Frightfest, the Scottish Queer International Film Festival, the London Film Festival, the New York Film Festival, the Venice Film Festival, Manchester's Grimmfest and the San Sebastian Film Festival. MA: Very late. So it's edited in the right place. ", Carlotta (Marion Cotillard) with Ismael (Mathieu Amalric) in Arnaud Desplechin's Ismael's Ghosts (Les Fantômes D'Ismaël), Mathieu Amalric on Jeanne Balibar as Brigitte in Barbara: "The whole work in fact really was to be able just to be in sensations. It was the spirit we were waiting for. The Bs and As meld in the names Barbara and Balibar, as in Jeanne Balibar, who stars as Brigitte who plays real-life singer Barbara in the film within the film. It's from an album where she explains to an arranger what colour she is searching for. duration : 15:41" Synopsis ; You will also like ; Synopsis «When the Paris Opera invited me to shoot a film for the “3e Scène”, I was caught off guard. I could go with a shot of 25 minutes. The Bs and As in the names Balibar and Barbara. Legal. Already the opening credits lead us into its dream logic of substitutions and doublings. AKT: The footage included, for example from the Jacques Brel film Franz, what it does, is it makes you want to see more.
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