Stéphane Brizé has the narrative flow back and forth in time to give the film a unique rhythm. The problems never overwhelm Une vie as its tragic emotions ring true, thanks to Brizé’s filmmaking style and the central performance from Chemla. The Hollywood Reporter is part of MRC Media and Info, a division of MRC. James Thierrée - La biographie de James Thierrée avec Gala.fr Much of the film is constructed in a similar way, suggesting things about wholes — whole relationships, moral stands, recurring moods and troubles — while seemingly focusing almost exclusively on particulars. She is an actress and director, known for (2016), (2012) and (2005).. Born on , , Judith hails from , , . Certaines indiquent 1984 et d'autres 1985. Venue: Venice Film Festival Of particular note here is the portrayal of Jeanne’s son Paul (Finnegan Oldfield). (adsbygoogle = window.adsbygoogle || []).push({}); Saint Maud’s Feminist Evolution of Body Horror. Sales: MK2. The narrative also serves as a sly critique of a capitalist society where only men learn the art of making money, leaving women with little autonomy over their fate. This is immediately followed by a medium close-up of just the couple on a boat, with their hands awfully close together, and then a medium shot of Jeanne looking out the window while we hear her parents, off-screen, as they interrogate her about her feelings for Julien and try to explain what marrying this particular fellow would mean for her and the family. Guy de Maupassant’s first novel, called Une vie in French and somewhat oddly translated as A Woman’s Life in English, had the original subtitle L’Humble Verité, or The Humble Truth. Privacy | As in 2020, Judith Chemla‘s age is * years. Judith Chemla was born on July 5, 1985 in Gentilly, France. Elle a été la compagne du comédien James Thierrée avec qui elle a un fils[1],[4]. 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Shot in the almost-square Academy ratio, the film opens a small but very insightful and touching window onto the life of the woman of the English-language title, the daughter of a baron whose desires and opportunities are hemmed in on all sides by what was considered decent and proper for women in the first half of the 1800s — not to speak of some of the sheer misfortune that befell her and her family. Adapting the eponymous novel by Guy de Maupassant, Une vie is a textured film that may just be too dour for its own good. After running away to England, he writes letters begging his mother for large sums of money to help make his fortune – funds which are increasingly scarce. Ses parents se séparent lorsqu’elle est jeune. Producers: Milena Poylo, Gilles Sacuto Bernard Poirette et la rédaction numérique de RTL, Maison des arts et de la culture de Créteil, César de la meilleure actrice dans un second rôle, « Les fantaisies scéniques de Judith Chemla aux Bouffes du Nord », Date de naissance incertaine (XXe siècle), Personnalité française née d'un parent tunisien. Director: Stephane Brize Les sources diffèrent quant à son année de naissance. When, after much prodding, he decides to finally do it himself, the outcome is shocking and tragic (and different from the novel to keep the point-of-view closer to Jeanne). Even so, Brizé treads softly everywhere and has toned down much of the novel’s anticlerical material, with the Baron, for example, now seemingly having no opinion on matters of the church. Cast: Judith Chemla, Jean-Pierre Darroussin, Yolande Moreau, Swann Arlaud, Nina Meurisse, Olivier Perrier, Clotilde Hesme, Alain Beigel, Finnegan Oldfield, Lucette Beudin, Jerome Lanne, Melie Deneuve, Father Francois-Xavier Ledoux Editor: Anne Klotz Screenplay: Stephane Brize, Florence Vignon, based on the novel by Guy de Maupassant Music: Olivier Baumont Production companies: TS Productions, France 3 Cinema, Versus Production, F comme Film, CN5 Productions All rights reserved. Boyd van Hoeij This keeps the narrative fleet in terms of its storytelling while it allows Brizé the time to dwell on significant but often normal-seeming in-between moments that reveal Jeanne’s character and thinking. The actors further help their transformations by small changes in posture, body language and motoric speed. Judith Chemla grandit à Gentilly, dans la petite couronne parisienne. En avril 2017, dans une entrevue accordée à Studio Ciné Live, elle annonce attendre son deuxième enfant[5]. The film falls short of greatness, but its depiction of financial decline is sublime in its sympathy. © 2020 The Hollywood Reporter It is the local pastor (played by Francois-Xavier Ledoux, an actual priest) who insists that Jeanne, who has found out about Julien and Gilberte, tell Georges the truth, which she refuses because she knows instinctively that the pure and upright man wouldn't be able to handle it. The camerawork, production design and costumes are all impressive, though the technical credit that most deserves a shout-out is the makeup and hair by Garance Van Rossum. This technique makes the story engaging, yet as the film draw towards its conclusion, the cruel tragedies that make up Jeanne’s life devolve into self-parody. EMAIL ME. Since they have to cover 27 years in the life of Jeanne (Judith Chemla), from age 20 on, they’ve decided to work like impressionist painters, with many often very short scenes presented in rapid succession, which together, when one steps backs and looks at the final result, offers a kind of mosaic-like overview of a life. Elle est la fille d'un père violoniste d’origine juive tunisienne [2], et d'une mère avocate, d'origine bourguignonne. SYNOPSIS: The story of Jeanne du Perthuis des Vauds’s life between the ages of 18 and 45 in the early 19th century: a hypersensitive woman, overly sheltered and in search of the absolute, Jeanne is unable to face up to the harsh reality of the world, a story of unconquerable mourning for the lost paradise of childhood. Elle est la fille d'un père violoniste d’origine juive tunisienne[1], et d'une mère avocate, d'origine bourguignonne. Terms of Use | This whirlwind sequence ends with another medium close-up in which Julien tries to have sex with Jeanne on what we assume is their wedding night and we can feel her (in hindsight also prophetic) suffocation. What’s crucial is the amount of empathy she manages to generate for her character, since Jeanne’s increasingly limited options and means have a negative influence on her temperament as she ages, so an early connection to her and her difficult situation is crucial. Costume designer: Madeline Fontaine Elle commence le violon à 7 ans : elle en jouera jusqu'à l'âge de 14 ans. Brizé and his regular co-screenwriter Florence Vignon have been working on this adaptation even before Measure (which Vignon didn’t co-author) and have managed to boil down the sprawling, almost 300-page novel into a film just shy of two hours. Employing a fragmentary style not too dissimilar to Andrea Arnold’s Wuthering Heights, Brizé successfully creates an emotionally rich narrative as Jeanne’s sun-dappled memories clash violently with her overcast present. by Ses parents se séparent lorsqu’elle est jeune. Not only would this modest-seeming subtitle be a perfect description of the style and appeal of practically all of the literary giant’s output, but this particular turn of phrase also seems like a fitting moniker for the latest adaptation of A Woman’s Life, this time from French director Stephane Brizé (The Measure of a Man). Guy de MaupassantJean-Pierre DarroussinJudith ChemlaStéphane BrizéSwann ArlaudThe Measure of a ManUne VieYolande Moreau. No doubt in consultation with Brizé, she has made a conscious effort to avoid altering the actors too much over the years, relying on just a few changes in makeup and light — Jeanne’s eyes seem to fall back more into their sockets as she ages and her skin becomes paler — while the characters’ hair changes style more than it seems to actually gray. Since they have to cover 27 years in the life of Jeanne (Judith Chemla), from age 20 on, they’ve decided to work like impressionist painters, with many often very short scenes presented in … Droit d'auteur : les textes des articles sont disponibles sous. 3:30 PM PDT 9/5/2016 Charting Jeanne’s (Judith Chemla) descent from landowner’s daughter to a poverty-stricken widow, Une vie is ripe with tragedy. 5 Vie privée; 6 Distinctions. Eventually, his pestering becomes unintentionally comical, as the audience has grown accustomed to constant assaults of misfortune; and while Chemla’s performances is above reproach, Brizé’s constant barrage of closeups depicting her pained expressions also begin to grow wearisome. CAST: Judith Chemla, Jean-Pierre Darroussin, Yolande Moreau, Swann Arlaud, WRITERS: Stéphane Brizé and Florence Vignon (screenplay), Guy de Maupassant (novel). FACEBOOK Director of photography: Antoine Heberle There's the couple’s cold introduction, rapid rapprochement and courtship, careful consideration on her family’s behalf — they are richer than he is but the advantage is that she could continue to live in the family mansion since he would have to move in — and her (also literal) pain when the reality of what must have been a fantasized idyll first hits her. This beautifully composed Venice competition title should appeal to the high-end of the art house segment, though there’s no denying that, like Flaubert’s more famous Madame Bovary, which partially inspired de Maupassant’s "humble" effort, it is often not exactly a happy story. Though Brizé manages to cover a lot of ground, certain elements have of course been greatly reduced or cut altogether, including Jeanne’s stillborn daughter, who is not included here. When Jeanne is introduced to Viscount Julien de Lamare (Swann Arlaud), for example, a young and not very rich aristocrat who has become the family’s new neighbor, we first see a medium-wide shot in which he exchanges stiff bonjours with Jeanne and her parents, the Baron (Jean-Pierre Darroussin) and Baroness (Yolande Moreau) Le Perthuis des Vauds. A particularly potent example of the latter sees a despondent Jeanne playing checkers with her now elderly father. The real aim of the film, however, is not social commentary but character study. TWITTER Sitemap | Adapting the eponymous novel by Guy de Maupassant, Une vie is a textured film that may just be too dour for its own good. 6.1 Récompenses; 6.2 Nominations; 7 Notes et références; 8 Liens externes; Biographie. Though a dark-haired beauty rather than the novel’s blonde — imagine a young Juliette Binoche with clearer eyes and you’re pretty much there — the 31-year-old Chemla (Camille Rewinds) is a revelation in the title role and utterly mesmerizing and credible whether she’s playing Jeanne at 20 or at 47. Production designer: Valerie Saradjian About Our Ads Check below for more deets about Judith Chemla. Casting: Brigitte Moidon, Coralie Amedeo Former English student who got lost and wound up writing on Japanese films instead of Shakespeare or Plath. Judith Chemla est une actrice française, née le 5 juillet 1984 ou 1985[N 1], ancienne pensionnaire de la Comédie-Française. Judith Chemla grandit à Gentilly, dans la petite couronne parisienne. The constantly changing seasons and details of the state of upkeep of the family mansion also help suggest the passage of time, while Brizé and Klotz also seamlessly integrate short flashforwards and flashbacks, with the latter often suggesting that Jeanne might be thinking about things from the past, like for example her late mother or her beloved only son, Paul (played as an adult by Finnegan Oldfield), whose (comically increasing) squandering ways abroad and then in faraway Paris cause Jeanne to live in ever-increasing poverty and loneliness. Elle découvre le théâtre au lycée, sous la houlette d'Emmanuel Demarcy-Mota. Le 10 avril 2020, pendant le confinement provoqué par la pandémie du Covid-19, elle interprète des textes de poésie et chante, a cappella, l'Ave Maria de Schubert dans la cathédrale Notre-Dame de Paris désertée depuis l'incendie, au cours d'une célébration exceptionnelle à l'occasion du Vendredi Saint[2],[3]. This is the kind of subtlety that perfectly suits the material and does de Maupassant’s humble truth about a woman’s life justice. Elle entre ensuite au Conservatoire, où elle rencontre Muriel Mayette ; celle-ci l’embauchera à la Comédie-Française[1] (elle y entre le 1er décembre 2007). Justice League Is Here, But Why Is DC Still Lagging Behind? In the novel, she was born on the same night as (spoiler ahead) Julien was killed by a neighbor, Georges de Fourville (Alain Beigel), whose wife, Gilberte (Clotilde Hesme) was having an affair with Julien, his second extramarital dalliance after first getting the Baron’s family’s help (Nina Meurisse) pregnant, much to his wife's dismay.
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