154 — Não Sabemos | Rubens Caruso (1960), From the Vault: Brazilliance Vol. ( Log Out / 143 — Idéias Erradas | Ribamar & Dolores Duran (1959), Song No. It literally refers to the crabs at Brazilian markets that are hung up together in a long line on a piece a rope, but it also applies to a long line of people clutching to each other and jumping from side to side as they dance. document.write('
');var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.clickfuse.com/showads/showad.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; Charlie Rouse from the album Bossa Nova Bacchanal (1963, Blue Note [USA] BLP 4119), 12. Quero viver, quero sambar • Até sentir a essência da vida me faltar • Quero sambar, quero viver • Depois do samba tá bem meu amor • Posso morrer, Quem quiser gostar de mim • Se quiser vai ser assim, Vamos viver, vamos sambar • Se a fantasia rasgar, meu amor • Eu compro outra • Vamos sambar, vamos viver • O samba é livre, e eu sou livre também • Até morrer. Doc Severinsen from the album Doc Severinsen & Strings (1968, Command [USA] RS 937 SD), Artwork for Doc Severinsen & Strings by Daniel Pezza with photograph by Norman Trigg, 22. The Carnival wouldn’t have experienced the type of success it enjoys today without the stiff competition among the samba schools.. Carnival is a defining milestone in the calendar in Rio de Janeiro. Final scene of Orfeu Negro with Jorge Dos Santos and Aurino Cassiano, joined by an uncredited girl, playing Samba de Orfeu to make the sun rise just like Orfeu used to do. However, it appears that in its day Samba de Orfeu was recorded more often internationally. This Afro-Brazilian group, founded in 1974, originated from a region in Salvador with the largest black population. 149 — Samba de Rei | Pingarilho & Marcos Vasconsellos (1965), Song No. The song belongs to the music genre known as frevo, which is from Recife and Olinda in the Northeast of Brazil. by Paulo Brèves with photograph by Mafra, 8. Shake it and drop it shake it drop it Rogério Duprat from the album Dedicado a Você (1967, Penthon РРLРD-104), 11. The title of this marchinha, ‘A Pipa do Vovo Não Sobe Mais’, literally translates to ‘Grandpa’s Kite doesn’t Rise Anymore’. 141 — Corcovado | Antônio Carlos Jobim (1960). 148 — Lamento no Morro | Antônio Carlos Jobim & Vinícius de Moraes (1956), Song No. 2015 - Découvrez le tableau "Rio Carnaval" de micheline shumway sur Pinterest. These schools just started from street bands which developed into groups and clubs then associations before they became the samba schools of today. Vince Guaraldi Trio from the album Jazz Impressions of Black Orpheus (1962, Fantasy [USA] 8089), 8. })(); This is my carnival aye aye aye ha Mr. Samba & Seus Skindôs Rítmicos from the albumMr. Produced in 1964, ‘Aquarela Brasileira’ is a samba de enredo – a song written for and performed by a samba school during Carnival – and Silas de Oliveira wrote this one for the Imperio Serrano samba school. }; Edu da Gaita from the album Uma Gaita … Banda Eva is a Bahian band from Salvador that blends mostly axé with elements of samba-reggae. [25 PDF + 23 MP3] - Luiz Floriano Bonfá (often seen as Luis Bonfá) (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. 144 — Se Alguém Telefonar | Alcyr Pires Vermelho & Jair Amorim (1957), Song No. Luiz Bonfá from the album A Voz e a Violão – Luiz Bonfá e Norma Suely (1960, Odeon MOFB 3144), Artwork for A Voz e a Violão – Luiz Bonfá e Norma Suely by César G. Villela with photograph by Francisco Pereira, 5. Oscar Peterson from the album Soul Español (1966, Limelight [USA] LM 82044), 18. }; Change ), You are commenting using your Google account. Learn how your comment data is processed. Matias da Rocha and Joana Batista Ramos wrote and produced ‘Vassourinhas’ in 1909. document.write('');var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.clickfuse.com/showads/showad.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; This song is another one of the most played marchinhas during Carnival. ‘Cabeleira do Zezé’ is among the most played marchinhas during Carnival despite its recent controversy that suggests it is a homophobic song. Enter your email address to follow this website and receive notifications of new posts by email. https://www.youtube.com/watch?v=qjknjuBVVIg. Luiz Bonfá from the album Braziliana (1965, Philips [USA] PHS-200-199), 15. Composed in 1966, this is one of the most representative Carnival songs. Created in the 1980s, it mixes several genres with Afro-Caribbean roots, such as reggae, calypso, and marcha, with Brazilian music, including forró and frevo. Selected recordings of Samba de Orfeu originally not issued in Brazil: 1. Agostinho dos Santos from the album Agostinho dos Santos (1969, Continental PPL 12415), 12. This is my carnival aye aye aye ha adunit_id: 39383895, 161 — Samba de Orfeu | Luiz Bonfá & Antônio Maria (1959), Song No. (1962, Philips P 630.490 L), Artwork for Solovox Espetacular! Bill Perkins from the album Bossa Nova with Strings Attached – The Tenor Sax of Bill Perkins (1963, Liberty [USA] LRP-3293), 11. Culture Trip stands with Black Lives Matter. Hit them with that samba show them what it is And after Carnaval we can all hit the crib Obrigado Claudia Leitte Here we go again Speaking to the world Here we go again In Carnaval Here we go agin Now move this drop, everybody hands up This is my carnival aye aye aye ha This is my carnival aye aye aye ha Shake it and drop it shake it drop it Wanda Sá from the album Softly (1966, Capitol [USA] T 2325), 20. Orfeu Negro was based on the play Orfeu da Conceição, written by Vinícius de Moraes in 1954 and premiered in 1956, setting the greek legend of Orpheus and Euridice into a favela in Rio de Janeiro against the background of Carnival. Artie Kane from the album Artie Kane – Playing The Swinging Screen Scene (1972, RCA Victor [USA] LSP-4693). Jerry Mengo from the EP Orfeu Negro (1959, La Voz de Su Amo [SPA] 7EPL 13.352), 3. After a couple of days of bloco antics, you are almost bound to hear ‘Aurora’ during the street parties. Samba do Brasil (50 morceaux de pure ... Chanson d'Orphée - Jorge Campos. 3 (1960, RCA Victor BBL 1063), 7. While you won’t hear this song at the parades, you will definitely be able to listen to it at the blocos. Baja Marimba Band from the album Baja Marimba Band (1964, A&M Records [USA] SP-104), 14. A carefree week of giddy debauchery under the tropical summer sun deserves a countdown, and playing some classic, Street party in Orlinda | © Raul / WikiCommons. song: "Carnaval", 156 — Eu Não Sei Me Repetir | Horondino José da Silva ‘Dino’ & Jota Santos (1960), Song No. ‘Menina Eve’ is one of their most popular songs. Luiz Henrique from the album Barra Limpa (1967, Verve Records [USA] V6-8697), 3. 147 — Confidência | Raul Sampaio & Benil Santos (1962), Song No. Agostinho dos Santos from the album Agostinho dos Santos (1970, London/Odeon LLB 1062), 13. It is the most commonly played music at the Carnival in Salvador. Lucienne Franco from the single Samba de Orfeu b/w Manhã de Carnaval (1959, Copacabana 6.046), the EP Lucienne Franco (1959, Copacabana CEP-4573). Moving away from marchinhas to axé, a music genre from Salvador in Bahia, Chiclete com Banana (which translates to ‘chewing gum with banana’) is a Bahian axé band that produces some of the most well-known songs of Carnival. Selected medleys including Samba de Orfeu: 1. This site uses Akismet to reduce spam. 151 — Barquinho | Roberto Menescal & Ronaldo Bôscoli (1961), Song No. Despite being over 100 years old, the music is still perfectly capable of sending an explosion of excitement through the Carnival street parties. However, it is still known today as a classic representative of Carnival and is played at the blocos (street parties). A Special Feature on Eddie Moyna This song – ‘O Abre Alas’ – refers to opening the runway for the parades to begin and for the first samba school to step out and give their performance. Gérard La Viny from the EP 4 Chansons du Film “Orfeu Negro” (1960, Fontana [FRA] 460.646 ME), 4. Lucienne Franco from the single Samba de Orfeu b/w Manhã de Carnaval (1959, Copacabana 6.046), the EP Lucienne Franco (1959, Copacabana CEP-4573), 2. 1. Her song ‘Corda do Caranguejo’ translates to ‘rope of the crab’, which has a double meaning. (adsbygoogle = window.adsbygoogle || []).push({}); Places de Concerts Brazilliance at Parallel Realities, Song No. Cal Tjader from the album Soul Bird Whiffenpoof (1965, Verve Records [USA] SW-91139), 16. 157 — Preciso Aprender a Ser Só | Paulo Sergio Valle & Marcos Valle) 1964, Song No. Edu da Gaita from the album Uma Gaita Para Milhões (1959, Copacabana CLP 11114), 4. 3. Marchinhas, known for its contagious and animated beat, represent Carnival’s lively spirit. 24. The lyrics are ‘Look at Zeze’s big hair / I wonder if he is? ‘100% Você’ (‘100% You’) is one of them. /* paroles2chansons.com - Above Lyrics */ 160 — Warsaw Concerto aka The World Outside | Richard Addinsell & Carl Sigman (1941), Samba de Orfeu - Quarteto Excelsior (1960), Samba de Orfeu - Mr. Samba & Seus Skindôs Rítmicos (1963), Samba de Orfeu - Agostinho dos Santos (1969), Samba de Orfeu - Agostinho dos Santos (1970), A Felicidade - Samba de Orfeu - O Nosso Amor - Moacyr Silva (1959), O Morro Não Tem Vez - Samba de Orfeu - Luiz Henrique (1967), Manhã de Carnaval - Lamento no Morro - Samba de Orfeu - O Nosso Amor - Agostinho dos Santos (1973), Samba de Orfeu (Samba d'Orphée) - Hélio Motta (1959), Samba d'Orphée (Samba de Orfeu) - Jerry Mengo (1959), Samba d'Orphée (Samba de Orfeu) - Gérard La Viny (1960), Samba d'Orphée - Fernand Verstraete aka Trumpet Boy (1960), Samba de Orfeu - The Rocky Boyd Quintet (1961), Samba de Orpheus - Vince Guaraldi Trio (1962), Samba de Orfeu (Black Orheus) - Charlie Rouse (1964), Samba de Orpheu - Baja Marimba Band (1964), Sweet Happy Life (Samba de Orfeu) - Wanda Sá (1966), Sweet Happy Life (Samba de Orfeu) - Peggy Lee (1966), Song No. Change ), You are commenting using your Facebook account. Change ). 28 juil. ( Log Out / Gerson Flinkas from the album Sua Majestade, O Baile (1960, Polydor LPNG 4058), 6. What is Carnival Without the samba schools ? Everybody dancing everybody jumping. Pat Thomas from the album Desafinado (1962, MGM Records [USA] SE 4103), 9. Martin Cerere - Escola National De Samba De Sao Paulo. 2:10 0:30. Bob Brookmeyer from the album Trombone Jazz Samba (1962, Verve Records [USA] V6-8498), Artwork for Trombone Jazz Samba by John Morello with cover photograph by Carl Fisher, 7. / I wonder if he is?’, referencing that his long, big hair questions whether he is gay or not. To date, they have sold more than five million albums worldwide, and ‘Quebra Aê’ is one of their most popular songs. 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